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Removing the caked on earthen mold after firing. The solid chips of the mold lie next to the base
Removing excess metal and casting from the bronze using a hammer and chisel
The first stage of filing, the hooked scraping tool at work
The scrapping tool brings out a shine
The difference between the filed body and the raw face can clearly be seen
The raw face of Nataraja befroe the carved details
The fine work of all the bronzes is carved into the bronze using a hammer and chisel
The artists showing the two separate pieces of the Nataraja and the base
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